Webinar: Who Even Wrote This? Welcome to the Post-AI Library
Sponsored by: NEASIS&T Chapter
Libraries and other digital collections are beginning to see a surge in AI-generated submissions—sometimes dozens from the same author. This growing strain is colliding in the US with an increasing threat to staff and budgets due to the administration's aim of dismantling the Institute of Museum and Library Services. This webinar will open by framing generative AI as a lossy compression of human knowledge—useful in some contexts, but risky when it replaces ground truth in archives and collections. From there, we’ll walk through five possible policy responses to the surge in AI-generated submissions, from outright bans to “AI shelves” to community review. As AI writing becomes harder to detect and more embedded in everyday tools, we’ll also ask whether traditional ideas of authorship, verification, and even the library itself need to be rethought.
Presenter
Jon Ippolito hopes building networks will help keep digital culture alive and kicking--but he has his hands full in today's climate of unfettered media monopolies, accelerated obsolescence, and looming co-optation by academia. He is the digital doyen of The Variable Media Network, an international consortium of museums and archives that devises medium-independent strategies to preserve new media art. As grand vizier of The Open Art Network and Learning With AI, Ippolito works with digital artists and academics to promote an open architecture for the Internet and digital media. As chief constable of the Still Water lab at the University of Maine, he works with Co-director Joline Blais to enforce an expansive definition of networked art in the academia and the art world, as argued in their 2006 book At the Edge of Art. The recipient of Tiffany, Lannan, and American Foundation awards, he was named in 2015 the inaugural winner of the Thoma Arts Writing prize. Ippolito has exhibited artwork with collaborative teammates Janet Cohen and Keith Frank at the Walker Art Center, ZKM/Center for Art and Media Karlsruhe, Harvard's Carpenter Center, and the Yale Art and Architecture Gallery. As Associate Curator of Media Arts at the Guggenheim Museum, he has curated Virtual Reality: An Emerging Medium and, with John G. Hanhardt, The Worlds of Nam June Paik. Ippolito's critical writing has appeared in periodicals such as the Art Journal, Artforum, Flash Art, the Washington Post, and in his regular column for ArtByte magazine. He and his work have been cited in a dozen New York Times and a dozen Wired articles, but that didn't stop his tenure committee from asking why he hadn't published in more academic journals. His book Re-collection, co-authored with Richard Rinehart, argues that digital heritage of the last 30 years will be lost to history without a revolutionary approach to preserving culture.
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